At the point where I just want to leave this painting where it is at. The composition and combination of underpainting and thick paint- well balanced. The gestural marks of the underpainting are not just painting marks, they suggest naturalistic forms- as the top layer is suggesting this- tenses it out of the underpainting. Again losing the reflection line we move away from a figurative representation- something else begins to come out of the painting. Good amount of contrast.