Sunday, 11 September 2016
Progress of a more realistic approach painting the landscape. Base coats. Carefully observing the tone and colour in painting. Making sure the brush gestures serve the forms well...not just a painting mark. Thinking about aerial perspective and creating a sense of depth. Thinking about how the light is hitting the brushstrokes, especially with thick impasto paint.
Consider how I can let underneath layers come through and influence painting and create more depth/interest and different surface and colour relationships.
Layering?? It there a lyrical pattern/ melody of brush strokes unifying the work?