Tuesday 13 September 2016
Triptych series primaraly based on the form of the land, not water/reflections. Having the reoccurring declavity in each painting- natural passage way through the landscape both physically and visually. Declavity also formed by the shape of the three paintings- repetition works really well. Create a rhythm and subtle flow and connections between the different paintings. They will feed off each other- complement and contrast. Strong sense of depth within each of the paintings. Strong foreground diagonals lead the viewer in. The free energetic underpainting creates dynamic movement. Keep the contrast levels up but be careful to avoid a romantic reference.